Although rooted in the rhythmic structure of bluegrass, his early pieces for his long-time trio, Nickel Creek, have the improvisatory feel of jazz; his current ensemble, Punch Brothers, evokes the ethos of classical chamber music even while adhering to the traditional instrumentation of the bluegrass quintet. The Blind Leaving the Blind, a song suite on Punch Brothers’ first album (Punch, 2008), extends the sound of bluegrass in its range of harmonies and polyrhythms.
Thile further explores the symphonic dimensions of the string quintet in both the improvised and elaborately composed works of Antifogmatic (2010). Among his many collaborations, Thile has expanded the reach of the mandolin in Ad Astra per Alas Porci (2009), a three-movement mandolin concerto, and in his solo mandolin interpretations of Bach’s works for violin, which showcase his technical mastery and fluid, soulful phrasing. Through his adventurous, multifaceted artistry as both a composer and performer with various ensembles, Thile is creating a distinctly American canon for the mandolin and a new musical aesthetic for performers and audiences alike.
Chris Thile studied music at Murray State University (1998–1999). From 1989 to 2007, he was a member of the trio Nickel Creek, and in 2006 he formed Punch Brothers. His additional recordings include Here to There (1997) and Why Should the Fire Die? (2005) with Nickel Creek; Who’s Feeling Young Now? (2012) with Punch Brothers; and the solo albums Not All Who Wander Are Lost (2001), Deceiver (2004), and How to Grow a Woman from the Ground (2006).
Each year, the MacArthur Foundation selects between 20-30 recipients for the five-year, $500,000 MacArthur Fellowship. Between June 1981 and September 2012, 873 Fellows have been named from a range of disciplines. Past recipients have been writers, scientists, artists, social scientists, humanists, teachers, entrepreneurs, farmers, and fishermen, among many others.